FIRST PERSON
 

Following on the heels of the First Person piece by Sloane Martin, a relatively recent CW grad, we're now pleased to publish the reflections of Jack Mirkinson '05. Jack was part of the CW program in its early years. He sends this brief bio:

"Jack Mirkinson goes to Yale University. These days he mostly writes about movies for the Yale Daily News and urban renewal in San Francisco for his senior history thesis."  (Webmaster's note: You can find a list of Jack's work for the Yale Daily News at this link.)
 

 
 


CW Reflections: "An outsized swirl of memory..."

by Jack Mirkinson '05
 

     Perhaps it is because my college years are drawing to a close, but I have rarely felt this young, this wide-eyed and terrified, with the shell of my life cracking open to reveal the blinding and infinite world to me. So to think back on Creative Writing is to make myself pleasantly aged again.

     I can still remember the day over six (six! the number seems ludicrous) years ago when I helped usher in the program. Those were the days of Scott, of David Ford, of Winesburg, Ohio, of Chana, of Art and Film. (And of Heather, of course, though that's implied. I won't even mention all the other students. I did sit near Dominique and Julie, if I'm remembering things right. Two of the greats.) All of these seeming constants eventually left (except Heather, of course, though, again, it's implied), some with more joy than others, and then we switched rooms and began the inevitable nostalgia of those first dreamy days, where everything seemed so loose and liberated, as it always does before the whip cracks and people get to work. Whether the nostalgia was justified is another matter; any such remembering always elevates the grand in favor of the middling.

     I didn't even get off the ground for a couple of years. I wrote stories that ended ludicrously, with infantile, labyrinthine plots and cardboard-thin characters. My knack for poetry was notoriously M.I.A. I'd literally write the thing out in prose and then insert the line breaks afterwards. Here is my first line from my first homework assignment, dated August 27, 2002: "Writer? I am no writer. I write, but I am not a writer."

     I had a ways to go.

     But I also got a thrill from the allure of a crowd listening to my work, no matter how suspect in hindsight. And since, in the course of this remembrance, I seem to be giving myself a hard time, I can also say that I got some good lines in back then: "The houses were lopsided ones, sloppily dotting the hillside." That was the very first thing I read at a Creative Writing performance. I always liked that line. I got better, too.

     And CW allowed me to find my niche, letting me abandon the fictional and poetic for the comfort of non-fiction. It was at 16, in Creative Writing, that I wrote a piece about my grandfather that I read, at 20, at his funeral. It was Creative Writing that let me trot off to a newspaper in San Francisco every Monday afternoon so it could soak into me. That has made all the difference. Beyond that, Creative Writing was high school, with all that that entails. Suffice to say it will live on, an outsized swirl of memory that sends me reeling through my adolescence all over again.    

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