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Mary
  
Tanea Lunsford '09

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Mary
 
  by Tanea Lunsford '09
      The following excerpt is from
Mary, a play which was a winner in the 2008 San Francisco Young Playwrights Festival.  See the News page item for May 8, 2008, for details and links.
 

Scene 1

     Mary waits a beat before running to the phone.  She cautiously looks around so as not to get caught on the phone by her mother.

MARY (anxiously)

Hello?  Mrs. James, may I speak with Marvin please?  Oh, it's Mary.  Is he okay?  Tell him it will just be a minute.  Thank you.  Hey Marvin, you sound fine, oh well I hope you get better.  I miss you... (Gary enters but Mary doesn't notice) I know I just saw you today, but ..... okay well I'll see you tomorrow .... Hey, I think I love you Marvin ... hello? (hangs up smiling)

GARY (drunk)

Young love... (Mary is startled) I almost can't remember what it feels like to be that young and stupid ... I know it sho' did feel good though ... Mary, show me how it feel -- (advances toward Mary)

MARY

Did they put something in your drink tonight?  You talkin' nonsense, my mama is expecting you, she say you got paid today.

GARY (slurring)

Ain't none left, they laid me off ... say all the old employees ain't no good no more.  No good, Mary.  No good!  I been a garbage man for seven years.  SEVEN YEARS, Mary!  Sweating and stressing over that damn job, and what they do, lay me off first chance they get!

MARY

I'm sorry to hear that, Gary.  But I got to clean up the kitchen and my Mama is expecting you upstairs, so --

GARY

Your Mama so surly.  She wasn't always that way though, you know .... she used to be a soft woman (sitting down at the kitchen table, defeated while Mary cleans).  She used to wake me up with kisses on my face every morning, and not just my birthday like she do now.  Most days seem like she don't want to kiss me at all.  It ain't been too long we been together.  What, 'bout three years now?  Feel like we ain't going nowhere, feel like we always stuck in the same place.  I roll over in the middle of the night and she be there looking so pretty, moonlight hitting her face all nice.  And I shakes her awake sometime --  so full of love for her I gets excited.  I be waiting for her to open her eyes and when she finally do her face wrinkle up and she ain't pretty no more, be looking just like this (very angry expression, livid) and all I do is roll over 'cause I be 'fraid she gone wring my neck.  'You working twelve hour shifts, Gary?  You got a son in 'Nam right now, Gary?  No ... if Jesus call, take a message, hear?  Don't you eva wake me up again!'  That's just what she say ... always so surly.  I be wondering how somebody that pretty be so mean, and so quick-damn firecracker that lady is, guess that's why I love her so much, she -- 

MARY

Listen, Gary.  My Mama is expecting you upstairs -- don't want to keep that pretty, surly woman waiting.

     Takes her diary out of the cabinet. 

GARY

You don't wanna hear my problems.

MARY

I got my own problems, Gary. 

GARY

Them lil' problems you write in your lil' diary about?  Your lil' problems?  You living with a woman who always make you feel like less of a man every chance she get?!  Huh Mary? 

MARY

I'm living with the same woman you talking 'bout 'cept I ain't no man.

GARY

You work a fourteen hour shift, Mary?!  You collecting people's junk all day?  You swimming in people's waste all day?

MARY

Nope.  And you don't either, now that you dun went and got yourself fired.

GARY
(Jumps up from the table, grabs Mary at the neck.)

Oh you little smart ass -- that's why your little boyfriend don't love you back.  'Cause you surly and no body ain't ever gonna love you.

MARY (yelling)

Gary you let me go!  You drunk!  You let me go -- I'll kill you, I swear!

GARY
(Realizing what he is doing but still has too much pride to apologize)

It's a curse in this here house.  Or maybe it's just you women.  Y'all damn women, mean as all hell bottled into two little bodies.  If it ain't no curse, I curse you right now -- I get everything that follow with that nasty attitude, I hope you end up old and lonely just like your Mama gonna be once she push me so far.

Helen rushes in with her gun, robe, and hair scarf on.

HELEN

What's going on in here!  What's all that racket?

Mary hides under the table.  She writes in her diary there.

GARY

Ain't nothing, Helen, go back to sleep.  Put that thing away!

HELEN

I don't wanna have to shoot nobody!  Where is Mary?

GARY
Looks around drunkenly confused

She was here a minute ago.  And you hush all that foolish talk, lady.  Who you gon' shoot standing there in your night clothes?

HELEN

You if you ain't careful.  You drunk Gary?

GARY (falsely, impatient)

That ain't no way to greet your man!  "You drunk Gary?"  What happened to "Hey Gary, I missed you"?

HELEN

Hey Gary, I missed you where you been?

GARY

Now that's more like it -- I been out.

HELEN

So you drunk Gary.

GARY

Yup.

HELEN

I thought so.  Where's your check Gary?

GARY

Whatever happened to questions like "Gary when I'm gone see you again?"

HELEN

Gary, where is the check?  You spent up that check on booze, Gary?

GARY

See I knew you was gon' ask that --

HELEN

Gary did you spend the money getting drunk!

GARY (quickly)

Mmhhmm.  But only 'cause I knew you was gon' ask that question and I wanted to be able to say yes to at least one of the things you would ask me. 

HELEN (not quite appalled, disgusted)

Gary, that is one of the stupidest things I've ever heard.  You make me sick.

GARY

What ever happened to things like "Gary you make my heart sing"?

HELEN

Wasn't never none of them things, Gary.  You never made my heart sing, Gary.  You always busy breaking it!

GARY

Aww woman, don't talk like that, you gon' make an old drunk cry.  Ain't nothing worse than an old drunk crying.

HELEN

Yes it is too: an old drunk crying, broke, and homeless.  That's what you gon' be next time you decide to come up in here causin' a ruckus without no check, hear?

GARY (dramatically)

Yes Ma'am!

HELEN

Now stop all that loudness, come on to bed.

GARY

Now that's what I like to hear, you gon' show me how it feel to be young and lighthearted?

HELEN

I forgot how to do that fo' I stopped calling my old man 'Daddy.'  Honey I am fresh out of lightheartedness.  I am a heavy old woman -- and you is a weighty old drunkard -- we too much to even dream of something light.  Baby all I got is heartache and anger --

GARY

I don't want none of that, I don' had my share of that already.

HELEN

Then you better just get ready for bed and enjoy the body heat.

GARY

You a surly woman.

HELEN

You preaching to the choir, my brotha.

GARY

Dammit woman I don't know what I see in you.

HELEN

I could ask the same thing about you, but that just wouldn't be nice now would it, Gary?

GARY

Goodnight woman.

HELEN

That's right, goodnight man.

 

END OF EXCERPT

 

       
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